József Bécsi  | |
|---|---|
![]() Bécsi (third from right) in 1914.  | |
| Born | 7 February 1884 | 
| Died | 19 February 1947 | 
| Occupation | Cinematographer | 
| Years active | 1908–1942 (film) | 
József Bécsi (1884–1947) was a Hungarian cinematographer, particularly active during the silent era.[1] [2] He worked on many of the early films of director Michael Curtiz.
Selected filmography
- The Last Bohemian (1912)
 - My Husband's Getting Married (1913)
 - Bánk Bán (1914)
 - The Borrowed Babies (1915)
 - The Wolf (1916)
 - Seven of Spades (1916)
 - The Medic (1916)
 - Nobody's Son (1917)
 - The Red Samson (1917)
 - The Charlatan (1917)
 - The Last Dawn (1917)
 - Confessions of a Monk (1922)
 - The Dead Wedding Guest (1922)
 - The Tales of Hoffmann (1923)
 - A Waltz by Strauss (1925)
 - Prisoner Number Seven (1929)
 - The Empress and the Hussar (1935)
 - I Can't Live Without Music (1935)
 - The Lady Is a Bit Cracked (1938)
 
References
Bibliography
- Burns, Bryan. World Cinema: Hungary. Fairleigh Dickinson University Press, 1996.
 - Cunningham, John. Hungarian Cinema: From Coffee House to Multiplex. Wallflower Press, 2004.
 - Rode, Alan K. Michael Curtiz: A Life in Film. University Press of Kentucky, 2017.
 
External links
- József Bécsi at IMDb
 
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